The film is very quiet and subtle.  There isn't a clever plot, no nifty action sequences, and despite the title, no nudity.  The film shows bits and pieces into the very souls of four people, and in those four people we can see ourselves.  Soderbergh's film is immensely personal, and often I found myself embarrassed to watch, as if this drama were real and I shouldn't be watching.  There are many underlying themes, but I would be hard pressed to name you any one in particular because the film is far too complex to limit to morality lessons.  It takes relationships and breaks them apart, lays them bare for our perusal, and calls into our minds questions about what is love, what is a relationship, what is happiness.

The film is wonderfully acted by all four leads, with Spader particularly standing out as the sexless monk, who comes into the trio's lives and changes them profoundly forever.  Soderbergh makes a more than impressive debut, as a writer and as a director, and crafts a one-of-a-kind drama that grips you like no Hollywood thriller could.  Deservedly one best picture at Cannes.  It's the kind of film which stays with you forever.  

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