Author: Vincent Leo

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Kong: Skull Island (2017)

A quintessential popcorn flick, Kong: Skull Island doesn’t try to go deep with important themes or get entrenched in lots of set-up or explanation, built on the premise that audiences want lots of action and humor...

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Logan (2017)

In a fitting send-off for Hugh Jackman (Eddie the Eagle, Pan) with his most beloved character (this is his seventeenth year in the breakthrough role covering nine film appearances), Logan, becoming the second X-Men film in Fox’s history with...

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Get Out (2017)

Funnyman Jordan Peele’s (of TV’s “Key and Peele”) feature-film directorial debut proves he has quite an eye for filmmaking, crafting a comedy with horror-movie leanings, along with elements of science fiction and thrillers to success,...

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The LEGO Batman Movie (2017)

Spinning off from the surprise 2014 hit, The LEGO Movie, The LEGO Batman Movie gives further exploration into one of its small bit characters, Batman (again voiced here by Will Arnett, TNMT: Out of the Shadows), and...

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John Wick: Chapter 2 (2017)

Stunt guy Chad Stahelski (who worked with John Wick: Chapter 2 star Keanu Reeves and bit player Laurence Fishburne in The Matrix) returns to the helm for his highly anticipated follow-up to cult hit John Wick with an entry...

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Fifty Shades Darker (2017)

In this follow-up to the wildly popular kinky romance drama Fifty Shades of Grey, we find perpetually blushing publishing-house editorial assistant Anastasia Steele (Dakota Johnson, A Bigger Splash) making it through life without the help or attention...

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War on Everyone (2016)

Back in the late 1990s, there were quite a number of Tarantino knockoffs to come out — hard-boiled and very violent thrillers that featured lots of quirky characters and attempts at amusing, anecdotal conversations...

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Singin’ in the Rain (1952)

Over the many years of reviewing films, the one blind spot I’ve had when it comes to the kinds of movies I regularly partake in is the musical.  In fact, in my original review...

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20th Century Women (2016)

Mike Mills writes and directs this textured semi-autobiographical drama, set in Santa Barbara in 1979 after the women’s liberation movement and free love have made way for a bohemian existence for the laid-back seaside...