Author: Vincent Leo

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Inside Out (2015)

Many Pixar fans, while loyal through superfluous and underwhelming sequels, have been anxiously awaiting their favorite animation studio to go back to the kind of ingenious and original films that have taken family animation...

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Jurassic World (2015)

Amid the lucrative theatrical run for Jurassic Park III, Universal execs pushed for a fourth entry. Joe Johnston, emotionally and creatively drained after his tumultuous experience directing the third, said that he’d cheerlead from...

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San Andreas (2015)

San Andreas is a meat-headed special effects film through and through, basically just an excuse to deliver yet another disaster-porn epic, hoping that the titillation people feel when watching buildings crumble and things blowing up...

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Me and Earl and the Dying Girl (2015)

The buzz of 2015’s Sundance Film Festival where it would win both the Grand Jury Prize and the Audience Award, and for good reason, Me and Earl and the Dying Girl emerges as one of the...

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Poltergeist (2015)

They’re ba-a-a-ack… 1982’s Poltergeist, directed by Tobe Hooper and co-written by (and likely co-directed by) producer Steven Spielberg, remains one of my favorite horror films of all time, drafting up the blueprint for most haunting-in-the-house productions...

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Mad Max: Fury Road (2015)

Film critics appear to be going mad for Mad Max: Fury Road in a way I don’t quite understand, even if I feel that it does deliver the goods, action-wise, with sufficiency. It’s wacked-out fun, and...

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The Age of Adaline (2015)

Given what lengths many go to to stay looking young, let’s all hope that there aren’t a bunch of women driving around Sonoma County, California, looking for snowfall to drive off the road into...

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Ex Machina (2015)

Esteemed screenwriter Alex Garland (Dredd, Sunshine) writes and directs (his first) this fascinating science fiction drama, which plays like a futuristic chamber piece about reality, fantasy, truth, manipulation, deception, humanity and lack thereof.  To avoid...

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Unfriended (2014)

A fairly interesting premise isn’t able to capitalize in this rather non-scary, non-thrilling entry in the low-budget horror genre that aims to bring things to the forefront of modern technology, and yet, at its...