Tagged: Amanda Peet

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Syriana (2005)

Gripping in parts, convoluted and stagnant in others, Syriana is screenwriter Steven Gaghan’s attempt to provide an insider’s peek into the varying forces at play in the continuing Middle Eastern oil and terrorism struggles, similar...

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Identity (2003)

Part Agatha Christie, part Alfred Hitchcock, Identity is a modern updating of old-school mystery/suspense for today’s slasher-flick appreciative audiences. Shades of Psycho mixed with “Ten Little Indians“ get churned in the idea blender. Toss in a few new twists, and...

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Changing Lanes (2002)

If Changing Lanes proves anything, it’s that good acting, directing, writing and production values aren’t always enough to make a good film.  Changing Lanes doesn’t do anything wrong per se, the main problem is that it just...

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High Crimes (2002)

For all her attempts, I wonder if Ashley Judd will ever star in a good thriller sometime in her career.  Kiss the Girls, Eye of the Beholder, and Double Jeopardy have started a string of mediocre and predictable...